About Gelvora · 47 Charcoal Hill Rd, Westport

A proposal your boardcan read without wincing,at a price you know up front.

Gelvora is a small grant writing studio in Westport, Connecticut. We write for nonprofits that have a great program, a tired staff and a deadline that arrived before the coffee did.

A writer's desk with a pencil-marked proposal draft beside an arched window

The story

We got tired of watching good programs lose on bad paragraphs.

Gelvora started the way a lot of studios do: with a friend’s food pantry, a funder’s portal and a Sunday night. The program was extraordinary. The application read like a tax form that had given up. We rewrote it, rebuilt the budget so every line pointed back to the story, and sent it in with an hour to spare.

That’s still the whole job. We interview the person who runs the program, learn what the funder actually asks, and write the thing in a voice that sounds like you, minus the run-on sentences. Then we put one fee on paper before we type a word.

We work out of Charcoal Hill Road in Westport, and we take on a small number of proposals at a time, because a proposal written in a hurry reads like one.

What we believe

Four house rules, pencilled in the margin.

  • i.

    fixed fees only

    An hourly clock rewards slow drafts and long meetings. A fixed fee rewards finishing. You see the number in writing, and it doesn’t drift.

  • ii.

    the budget is part of the story

    We build the budget narrative alongside the prose, so the figure on line three is explained by the sentence in paragraph four.

  • iii.

    read the guidelines twice

    Once for the rules, once for the hints. Funders tell you what they want; most applicants are too busy to listen.

  • iv.

    you keep the parts

    Every engagement ends with a tidy boilerplate file of your mission, history and outcomes, so the next application starts at page two.

The short list of nopes

Things we politely decline.

  • Promising you’ll win. Nobody honest can.
  • Charging a percentage of the award. Ethically murky, and it makes everyone twitchy.
  • Ghost-writing for a team with a full grants department. We’ll say so on the call.
  • Padding a budget so it looks bigger. Program officers can smell it from across the portal.
  • Chasing a funder that was never going to fund you. We’ll tell you before you pay.

Inside the studio

A proposal week, desk-side.

mondayInterview with whoever knows the program best. Notes, questions, mild suspicion of jargon.
tuesdayFunder guidelines read twice. Past awards studied. The logic model sketched on paper.
wednesdayNarrative drafted. The budget narrative grows beside it, line by line.
thursdayDraft goes to you and your board. Comments come back; we sharpen the sentences.
fridayFinal proof, attachments checklist, and a portal login that actually works.

Mon–Fri 10am–5pm at the studio, with evenings by appointment for boards that meet after dinner.

Next

Twenty minutes, no invoice, an honest answer.

Tell us about the program and the deadline. We’ll say whether we’re the right studio, and if we are, quote one fixed fee in writing.

Call us — we pick up